Studio Light
Studio Light
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Studio Lights In The 3D World
Studio lights are standard lights, such as floodlights and spotlights. Depending on the subject, combination of lights in various locations and brightness are used. As you will see, you can duplicate most studio-style lighting effects within your 3D application. Direct lighting involves the aiming of one light, usually a spotlight, from a position off to the side of the scene. Direct light often produces dramatic shadows that actually become an essential component of the scene itself. With your 3D application, direct lighting can be duplicated using either a Free or Target spotlight. Most users prefer target spots because they are much easier to aim. you will want to use shadow maps with them, because raytraced shadows are just too harsh.
For a more diffused effect, increase the sample range of the spotlight, which produces softer-edged shadows. An important element to remember with respect to shadow maps is that they do use RAM and need to have a proper amount allocated to get the best shadows. Start with the default of 256 and work your way up in 256K increments until you are satisfied with the shadows. With your 3D application, all lights are now capable of inverse-squared falloff or natural light falloff. Lights in your scene that use this new feature look much more natural, but inverse-squared falloff is a constant equation that's based on the light's intensity, rather than computer generated attenuation ranges.
This means that the light will fall off much more rapidly than you might expect. If you turn on inverse-squared attenuation and your scene becomes excessively dark, increase the multiplier on your light sources gradually until the light is at a suitable level. Fill lights are used to lessen the effect of harsh shadows produced by a direct light source. If you want to simulate light being bounced by a reflector, you should use an Omni light with shadow casting on, but with a high sample range to diffuse the shadows. You probably won't want to use the inverse-squared falloff this time, however, because it could lead to large multiplier values, which, in turn, can produce unnaturally large specular highlights on reflective surfaces.
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